{"id":104,"date":"2016-03-23T18:45:21","date_gmt":"2016-03-23T17:45:21","guid":{"rendered":"http:\/\/www.korrespondance.org\/site\/?p=104"},"modified":"2016-03-23T18:45:21","modified_gmt":"2016-03-23T17:45:21","slug":"ilyazd","status":"publish","type":"post","link":"http:\/\/www.korrespondance.org\/site\/fr\/2016\/03\/23\/ilyazd\/","title":{"rendered":"Iliazd, ou le XX\u00e8me si\u00e8cle d\u2019Ilya Zdanevitch"},"content":{"rendered":"<h4>Exposition d&rsquo;\u0153uvres issues de collections priv\u00e9es et de mus\u00e9es russes et fran\u00e7ais.<\/h4>\n<p>Fin 2015 et d\u00e9but 2016, le mus\u00e9e Pouchkine de Moscou a accueilli <a href=\"http:\/\/www.arts-museum.ru\/events\/archive\/2015\/zdanevich\/index.php?sea_val=%D0%98%D0%BB%D1%8C%D1%8F%20%D0%97%D0%B4%D0%B0%D0%BD%D0%B5%D0%B2%D0%B8%D1%87\">une exposition consacr\u00e9e \u00e0 l\u2019\u0153uvre artistique d\u2019Ilya Zdanevitch<\/a>, alias Iliazd, qui fut \u00e0 la fois po\u00e8te, th\u00e9oricien de l\u2019avant-garde russe, ethnographe, concepteur de motifs pour tissus de la maison de mode Chanel, \u00e9diteur de la s\u00e9rie Livre d\u2019artiste.<\/p>\n<p><a href=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-livre.jpg\" rel=\"attachment wp-att-96\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-96\" src=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-livre.jpg\" alt=\"Ilyazd-livre\" width=\"554\" height=\"559\" srcset=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-livre.jpg 554w, http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-livre-150x150.jpg 150w, http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-livre-297x300.jpg 297w\" sizes=\"(max-width: 554px) 100vw, 554px\" \/><\/a><\/p>\n<p>N\u00e9 \u00e0 Tiflis, Iliazd a \u00e9t\u00e9 form\u00e9 \u00e0 Saint-P\u00e9tersbourg avant de commencer \u00e0 sa vie cr\u00e9ative \u00e0 Moscou\u00a0; mais il a aussi v\u00e9cu une grande partie de sa vie \u00e0 Paris.<\/p>\n<p>&nbsp;<\/p>\n<h4>De Picasso \u00e0 Chagall<\/h4>\n<p>En Russie, Ilya Zdanevitch s\u2019est li\u00e9 d\u2019amiti\u00e9 et a travaill\u00e9 avec Mikha\u00efl Larionov et Natalya Gontcharova, Vladimir Ma\u00efakovski et d\u2019autres repr\u00e9sentants de l\u2019avant-garde russe. Il a fait d\u00e9couvrir au grand public l\u2019\u0153uvre de Niko Pirosmani.<\/p>\n<p>En France, Iliazd a travaill\u00e9 de nombreuses ann\u00e9es avec Coco Chanel. Mais la principale \u0153uvre de sa vie a \u00e9t\u00e9 la publication des Livres d\u2019artistes, notamment ceux d\u2019artistes mondialement connus comme Pablo Picasso, Joan Miro, Marc Chagall, Max Ernst, Fernand L\u00e9ger, Georges Braque, Alberto Giacometti.<\/p>\n<p><a href=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-Picasso-1955.jpg\" rel=\"attachment wp-att-98\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-98\" src=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-Picasso-1955.jpg\" alt=\"Ilyazd-Picasso-1955\" width=\"400\" height=\"300\" srcset=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-Picasso-1955.jpg 400w, http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-Picasso-1955-300x225.jpg 300w, http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-Picasso-1955-285x214.jpg 285w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>L\u2019exposition du Mus\u00e9e Pouchkine pr\u00e9sentait des Livres d\u2019artistes issus des collections de Boris Fridman et de Gueorgy Guens, des documents d\u2019archive, des affiches, des esquisses de tissus et des photographies.<\/p>\n<p>Elle s\u2019accompagnait d\u2019un programme \u00e9ducatif large, de conf\u00e9rences, de visites guid\u00e9es, de concerts, de soir\u00e9es po\u00e9tiques, qui ont fait plonger le public dans l\u2019atmosph\u00e8re cr\u00e9ative de la Russie et de la France du premier quart du XX\u00e8me si\u00e8cle.<\/p>\n<p><a href=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-tkan.jpg\" rel=\"attachment wp-att-99\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-99\" src=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-tkan.jpg\" alt=\"Ilyazd-tkan'\" width=\"311\" height=\"241\" srcset=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-tkan.jpg 311w, http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/02\/Ilyazd-tkan-300x232.jpg 300w\" sizes=\"(max-width: 311px) 100vw, 311px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exposition d&rsquo;\u0153uvres issues de collections priv\u00e9es et de mus\u00e9es russes et fran\u00e7ais. Fin 2015 et d\u00e9but 2016, le mus\u00e9e Pouchkine de Moscou a accueilli une exposition consacr\u00e9e \u00e0 l\u2019\u0153uvre artistique d\u2019Ilya Zdanevitch, alias Iliazd, qui fut \u00e0 la fois po\u00e8te, th\u00e9oricien de l\u2019avant-garde russe, ethnographe, concepteur de motifs pour tissus de la maison de mode<a href=\"http:\/\/www.korrespondance.org\/site\/fr\/2016\/03\/23\/ilyazd\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":95,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ilyazd, ou le XX\u00e8me si\u00e8cle d&#039;Ilya Zdanevitch<\/title>\n<meta name=\"description\" content=\"Fin 2015 et d\u00e9but 2016, le mus\u00e9e Pouchkine de Moscou a accueilli une exposition consacr\u00e9e \u00e0 l\u2019\u0153uvre artistique 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