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\nPour le festival, les travaux de Dashi \u00e9taient voisins de majoliques de Zourab Tseretelli, de sculptures monumentales d’Alexandre Bourganov, ou encore de travaux d’Andre\u00ef Ostachov, qui touche lui aussi \u00e0 l’esth\u00e9tique ethnique orientale.<\/p>\n","protected":false},"excerpt":{"rendered":"Dashi Namdakov a pr\u00e9sent\u00e9 cinq sculptures au dixi\u00e8me festival international de beaux arts \u00ab\u00a0Tradition et modernit\u00e9\u00a0\u00bb de Moscou. Le festival s’est tenu du 26 au 31 mai 2016 dans la salle d’exposition du Man\u00e8ge. Plus de 3500 artistes et galeries ont pris part au festival ‘Tradition et Modernit\u00e9\u00a0\u00bb, venus de Russie, de Bi\u00e9lorussie, d’Ukraine, du[…]<\/a><\/p>\n","protected":false},"author":1,"featured_media":142,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[],"yoast_head":"\nDashi expose au Man\u00e8ge - Association Korrespondance<\/title>\n<meta name=\"description\" content=\"Dashi Namdakov a pr\u00e9sent\u00e9 cinq sculptures au dixi\u00e8me festival international de beaux arts "Tradition et modernit\u00e9" de Moscou.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.korrespondance.org\/site\/fr\/2016\/06\/17\/dashi-manege\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dashi expose au Man\u00e8ge - Association Korrespondance\" \/>\n<meta property=\"og:description\" content=\"Dashi Namdakov a pr\u00e9sent\u00e9 cinq sculptures au dixi\u00e8me festival international de beaux arts "Tradition et modernit\u00e9" de Moscou.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.korrespondance.org\/site\/fr\/2016\/06\/17\/dashi-manege\/\" \/>\n<meta property=\"og:site_name\" content=\"Association Korrespondance\" \/>\n<meta property=\"article:published_time\" content=\"2016-06-17T13:04:04+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/06\/Dashi3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"907\" \/>\n\t<meta property=\"og:image:height\" content=\"1209\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.korrespondance.org\/site\/#website\",\"url\":\"http:\/\/www.korrespondance.org\/site\/\",\"name\":\"Association Korrespondance\",\"description\":\"Art nomade\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"http:\/\/www.korrespondance.org\/site\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"ImageObject\",\"@id\":\"http:\/\/www.korrespondance.org\/site\/fr\/2016\/06\/17\/dashi-manege\/#primaryimage\",\"inLanguage\":\"fr-FR\",\"url\":\"http:\/\/www.korrespondance.org\/site\/wp-content\/uploads\/2016\/06\/Dashi3.jpg\",\"width\":907,\"height\":1209,\"caption\":\"\\u0412\\u0438\\u043a\\u0442\\u043e\\u0440\\u0438\\u044f, \\u0414\\u0430\\u0448\\u0438 \\u041d\\u0430\\u043c\\u0434\\u0430\\u043a\\u043e\\u0432, Victoire, Dashi Namdakov\"},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.korrespondance.org\/site\/fr\/2016\/06\/17\/dashi-manege\/#webpage\",\"url\":\"http:\/\/www.korrespondance.org\/site\/fr\/2016\/06\/17\/dashi-manege\/\",\"name\":\"Dashi expose au Man\\u00e8ge - 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